Photoshop's new vector features provide even more control when compositing photographic images. You can use the vector drawing tools simply to create polygons and custom shapes, but they can also act as layer clipping paths--vector masks that hide or reveal image areas in underlying layers.
Editable layer effects such as drop shadow and glow were introduced in version 5.5; in version 6, they have been renamed layer styles. New options include satin, stroke and color, gradient, and pattern overlay. The layer styles dialogue box provides much more control--bevel and emboss has five style options, as well as adjusters for technique, depth, direction, size, soften, angle, attitude, gloss, contour, highlight mode, opacity--and that's not all of them. As the name suggests, layer styles can easily be saved and applied to other layers.
You can enter and edit text directly onto the layer and set style attributes from the new tool options bar. Photoshop 6 seems to have benefited from some of InDesign's superb typographic tools, with character and paragraph palettes providing precise control. Web imaging tools have been revamped, with layer-based slicing now available from within Photoshop itself, and a major overhaul of ImageReady introducing weighted optimization, rollover styles, and tweened animation.
If you want the best image editing software that money can buy, look no further. For users of 5.5, there never was a more compelling reason to upgrade. --Ken McMahon
Best image editing software that money can buy.2001-07-29FinancialNeeds.com
Industry standard... except for automated features2001-07-15
Smoother, Quicker, and More Features!2001-06-27When upgrading to PS 6.0, I was amazed that all the tools I was in search of were and were normally in the separate program ImageReady, were put together in this one software. I was so happy that they included new tools AND improved previous tools. The program overall runs a lot smoother than the previous version and the interface changes were positive, they allowed for me to further put into use my creativity using less steps. I would definitely recommend this to all graphics and photo editing professionals!
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Improvement with obscurity2001-02-25But the Photoshop user base is changing. The Web has boosted the demand for bitmap graphics, and created a new breed of multimedia developers who use a huge range of tools for content creation and publication. And the rise of digital cameras and scanners has opened bitmap editing to consumers.
So Photoshop is changing from its traditional position as part of Adobe's imaging solution, a tool to be used alongside Illustrator and Web-aware tools like ImageReady and ImageStyler. Now it's eating features from the rest of Adobe's imaging line.
* Photoshop eats Illustrator: Photoshop 6.0 has sprouted serious text-editing tools. They end the old routine of importing Illustrator text to Photoshop. Decent control of letter spacing and justification appears for the first time. And Photoshop text is now editable on the page, a mere six years of so after the under-rated and now sadly wasted Corel Photo-Paint first performed this trick.
* Photoshop eats ImageReady. The new ImageReady 3.0 is bundled with Photoshop 6.0, just as its predecessor was biundled with Photoshop 5.5. And Web tasks such as JavaScript rollovers and animations still require you to jump to ImageReady, an inconvenient process. But ImageReady 2.0's simple shape-creation tools have made it to Photoshop this time around. ImageReady's on track to disappear completely into Photoshop at about Photoshop 7.0.
* Photoshop eats ImageStyler. ImageStyler 1.0's slightly gimmicky but sometimes useful "styles" appear in Photoshop 6.0 too, letting you create buttons and, um, more buttons. There's little chance of a separate ImageStyler 2.0.
So Photoshop now does most of what a Web developer would want it to do. It has garnered mostly laudatory reviews, both for its continuing power and for implementing features that other programs already had. But there are prices to be paid. There's the money: at around $A1400 street or $A400 for the upgrade, Adobe gives the Mastercard a beating it won't soon forget. There's the speed; version 6.0 runs slower than any before it. And there's the famous Photoshop learning curve, which is becoming a problem as Adobe aims Photoshop at that wider audience.
The loyalists won't acknowledge it, but Adobe has an interface problem. The program works like Unix, letting power users into an exclusive club while alienating everyone else. It has added a new context-sensitive toolbar to version 6.0. Yet it still buries powerful features and eschews basic interface devices like a Save button in favour of memorable keyboard combinations like Control-Alt-Shift-S (that's the command for saving a Web-ready graphic, so Web developers should keep their fingers flexible). The new shape-creation tools have aspects that are obscure even by Adobe's standards. So an increasing number of mid-level Photoshop users - especially Web development shops and individual users - are paying for power they can't access. They've bought a BMW, but they can't get it out of second gear.
This interface problem, though, seems unlikely to end Photoshop's dominance. The program's new audience is following the high-end professionals' lead. They want industry-standard tools. And amongst bitmap graphics professionals, Photoshop remains the industry standard.
If you do Web development, know Photoshop, own fast hardware and you're currently with version 5.0 or earlier - or if you create substantial amounts of bitmap text or simple button-like shapes - Photoshop 6.0 is a worthwhile investment. As long as you can afford it, and as long as you're prepared for its sometimes unnecessary difficulties.